The father of modern physics wrote about a million words on alchemy. Why we forgot, and what inner alchemy says about experience science still can’t measure.
Your script consultant says cut 25 pages. Screenwriter Jeanne V. Bowerman shares eleven ways to edit a screenplay with a serial killer's efficiency, and leave no fingerprints.
Blogger Kelly DeBie on anonymous blog comments, Facebook debates, and why the instant, honest feedback of online publishing keeps her writing.
Why finishing a book can feel scarier than starting one, and how shy writers can turn the last page into a first step toward readers, with advice from Jody Aberdeen and Rob Hines.
Ancient people weren't less intelligent, just less informed. On volcanoes, the problem of induction, and why faith in science resembles medieval faith.
The first Grail story never calls it holy or even clearly a cup. How a golden serving dish became the cup of Christ—and what that teaches writers about myth.
A tongue-in-cheek case for dropping the hyphen from "post-apocalyptic"—and why search engines and plain laziness might matter more than the rulebook.
A documentary said the Knights Templar dug up brotherhood beneath the Temple Mount. I think they found Asherah, the Canaanite Queen of Heaven.
From cash-paid pizza murals to Amazon candles, an indie author weighs what self-publishing earns per hour against what books keep.
Cosmology, consciousness, and unseen forces in The Bright Dark, with a creation story from the world after the apocalypse.
Author and authority share a Latin root: someone who causes something to exist. A look at who controls the narrative and the power writers wield on the page.
From Merlin's hidden knowledge to Frankenstein's overreach to Ren's inner alchemy: the archetype of transformation, and why good and evil were never the point.
A librarian-turned-writer looks back at a bookmobile patron, a fake reptilian finance book, and five years of false starts before going independent.
From Pearson's "Realist" to medieval morality plays to Samwise Gamgee: the archetype of continuity, and why writers keep mistaking ordinary for unimportant.
Merriam-Webster says a wasteland is barren and spiritually arid. So why does the word feel so good to write? A dig through etymology, Chernobyl, and 1838 law.
A sci-fi author tries to write inside a Meta Quest 3, fails through every "obvious" input method, and ends up with a grudging respect for the tech.
A shamelessly profane grammar lesson proving that one very specific word can stand in for all nine parts of speech.