Ariel Ceylan shares six things to keep in mind when creating the most crucial character in your book: the antagonist, who is a real person too.
Molly Field on getting unstuck: write what you mean in short hits, let it flow, step away to draw something, and fall back on the five Ws.
Linda Yezak, a huge Tom Clancy fan, on the writing rules The Bear and the Dragon breaks (too many settings, too many names, head-hopping) and why the ride is worth it anyway.
Rob Hines on being a Premise Writer, someone with a billion ideas and very few finished stories, and why outlining is the cure.
Clark Brooks delivers the best writing advice he ever got, from his acting days, with the speed, wit and candor of a stand-up comic: serve the story.
Types of lies, why people believe them, the big lie, and eleven ways to show a character is lying—a writer's guide to deception and broken trust in fiction.
Cecilia Dominic on why she puts off writing: personality, time perception, process issues and perfectionism, plus the four D's she uses to fight back.
C. Patrick Schulze shares fifteen tips for naming the characters in your novel, from medieval surnames and Civil War cemeteries to why you should skip the alliteration.
Morgan Barnhart on suffering from Too Many Ideas, and the whiteboard trick that gets every idea out of your head and into plain sight so you can pick one and write.
Kendra Redman on why "write what you know" is limiting advice, and what to do instead: really live your life, add imagination, read everything, and write.
Robots, impossible civilizations, troublesome ideas, and a few independent authors who deserve a place on your bookshelf.
Was Frankenstein’s creature the first robot in science fiction? Tik-Tok, Čapek, the golem and a long line of automata say the answer is much older and messier.
From Taoist immortals and Egyptian metallurgists to medieval laboratories and the invention of the bain-marie, alchemy has been quietly influencing the modern world for thousands of years.
From Horatio Hornblower to Captain Janeway to Red Reznikov: the archetype of leadership, and why the Ruler's power is a relationship, not a possession.
The father of modern physics wrote about a million words on alchemy. Why we forgot, and what inner alchemy says about experience science still can’t measure.
Your script consultant says cut 25 pages. Screenwriter Jeanne V. Bowerman shares eleven ways to edit a screenplay with a serial killer's efficiency, and leave no fingerprints.
Blogger Kelly DeBie on anonymous blog comments, Facebook debates, and why the instant, honest feedback of online publishing keeps her writing.
Why finishing a book can feel scarier than starting one, and how shy writers can turn the last page into a first step toward readers, with advice from Jody Aberdeen and Rob Hines.
Ancient people weren't less intelligent, just less informed. On volcanoes, the problem of induction, and why faith in science resembles medieval faith.
The first Grail story never calls it holy or even clearly a cup. How a golden serving dish became the cup of Christ—and what that teaches writers about myth.
A painter's survival guide to being asked for free murals: what commissioning art actually costs in skill, time, and materials.
A meditation on a father's turbulent past and peaceful present, painted in sailboats and calm seas, and what his happiness taught his daughter.
A tongue-in-cheek case for dropping the hyphen from "post-apocalyptic"—and why search engines and plain laziness might matter more than the rulebook.
A documentary said the Knights Templar dug up brotherhood beneath the Temple Mount. I think they found Asherah, the Canaanite Queen of Heaven.
From cash-paid pizza murals to Amazon candles, an indie author weighs what self-publishing earns per hour against what books keep.
Cosmology, consciousness, and unseen forces in The Bright Dark, with a creation story from the world after the apocalypse.
Author and authority share a Latin root: someone who causes something to exist. A look at who controls the narrative and the power writers wield on the page.
From Merlin's hidden knowledge to Frankenstein's overreach to Ren's inner alchemy: the archetype of transformation, and why good and evil were never the point.
A librarian-turned-writer looks back at a bookmobile patron, a fake reptilian finance book, and five years of false starts before going independent.
From Pearson's "Realist" to medieval morality plays to Samwise Gamgee: the archetype of continuity, and why writers keep mistaking ordinary for unimportant.
Merriam-Webster says a wasteland is barren and spiritually arid. So why does the word feel so good to write? A dig through etymology, Chernobyl, and 1838 law.
Exploring closed-eye visualizations in meditation, from subtle patterns to vivid imagery: a personal account of CEVs, their neuroscience, and inner alchemy.
A sci-fi author tries to write inside a Meta Quest 3, fails through every "obvious" input method, and ends up with a grudging respect for the tech.
A shamelessly profane grammar lesson proving that one very specific word can stand in for all nine parts of speech.